
© Panasonic.
The Panasonic FZ1000 is one of the best all round cameras I have ever owned (and this includes far more expensive models). As the old adage goes, it's not the name on the tool that matters so much as whether or not it does what you want, and the versatility of the Panasonic is it's greatest strength.
Although this blog isn't a review site (anyone reading it can testify to that), I've decided that occasionally I will write about equipment I've used (or use) if I believe in it’s worth, and think others might be interested in reading about my experience with the camera in question. Without any doubt the FZ1000 fits into both those categories. I should add that this won't be a review in the normal sense, and those who might want details and tests will need to look elsewhere (I'll add some recommended links at the end), but what I hope it provides is an honest assessment by someone who loves photography. The photographs in the article will be my own, taken with the camera itself.
In short lots, but for me there are two main aspects that make this camera stand out: the lens and the quality of the sensor.
The lens is impressive, a Leica badged zoom lens with an ‘equivalent’ range of 25-400mm (equivalent that is to a 35mm camera) that allows both a respectable wide angle and an extremely useful telephoto end that still produces good results.

The Fz100O at full zoom - Sculpture detail at Chester Cathedral, Simon Jones.

Fz1000 at 100mm equivalent, Light through trees, Simon Jones
As good as the lens is on the Panasonic, on it’s own it wouldn't be enough, and this is where the 1” sensor makes the difference, perhaps more than you would think. The sensor, considerably bigger than is normal for cameras such as this, really makes a difference, not only in overall quality, but also in resolution that the 20 megapixels provide.

Frost at Entwistle, the panasonic Fz1000.

Panaosonic Fz1000, maximum zoom, through glass.
I know that many prefer an optical view finder, I do myself (but suspect this will change at some point), but considering it is an EVF, the one in the camera is excellent. It is very clear, there is very little lag when moving the camera and, if you like video at all, the EVF allows you to record directly through the viewfinder making it easier to stabilise the camera. As mentioned before on this blog, an EVF is also great for previewing what the image will look like (for example in Black and White) and also allows you to compose in the square, one of my favourite formats.

The Square Format with the Panasonic Fz1000.

The fast focussing of the fz1000 helps in situations like these!

An example of the Panasonic's macro functionality.

Light through trees - an example using the Panasonic Fz1000.
As I mentioned earlier, this is one of the best cameras I have used. Not because it’s the best in every respect, far from it, but because it seems to get close enough in nearly everything to help me get the images I want. As good as the FZ1000 is, I did eventually sell it in order to help fund a full-framed camera with interchangeable lenses, something that I currently need. Happily, the Panasonic was bought by a gentleman moving the other way, that is, selling his larger camera and separate lenses. He tells me he is delighted with his purchase. I would certainly recommend it for consideration.

Ducks on water, early morning.
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